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Nikko: Toshogu, Lake Chuzenji

109 images Created 15 Dec 2018

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  • Tamozawa Imperial Villa (Tamozawa Goyotei) blends traditional Edo and early modern Meiji Period architecture throughout its 106 rooms. The villa was erected in Nikko in 1899, using parts of a residence that originally stood in Tokyo, Japan. Before being moved to Nikko, the building served initially as the Tokyo residence of a branch of the Tokugawa family and was later temporarily used as the Imperial Palace. In Nikko, it was enlarged into a summer residence and retreat for the Imperial Family, but suffered neglect after World War II. In 2000, the villa was opened to the public after extensive renovation works. Tamozawa Imperial Villa is one of the largest remaining wooden buildings in Japan. The interior of the villa is a curious mix of Japanese and Western styles: many floors are carpeted and elaborate chandeliers hang from the ceilings, yet Japanese elements include sliding paper doors and tatami flooring. Although still impressive in size and grandeur, Tamozawa Imperial Villa currently occupies only one third of its original area. It now functions as a museum and memorial park.
    1810JPN-3278.jpg
  • Art work on large sliding screens. Tamozawa Imperial Villa (Tamozawa Goyotei) blends traditional Edo and early modern Meiji Period architecture throughout its 106 rooms. The villa was erected in Nikko in 1899, using parts of a residence that originally stood in Tokyo, Japan. Before being moved to Nikko, the building served initially as the Tokyo residence of a branch of the Tokugawa family and was later temporarily used as the Imperial Palace. In Nikko, it was enlarged into a summer residence and retreat for the Imperial Family, but suffered neglect after World War II. In 2000, the villa was opened to the public after extensive renovation works. Tamozawa Imperial Villa is one of the largest remaining wooden buildings in Japan. The interior of the villa is a curious mix of Japanese and Western styles: many floors are carpeted and elaborate chandeliers hang from the ceilings, yet Japanese elements include sliding paper doors and tatami flooring. Although still impressive in size and grandeur, Tamozawa Imperial Villa currently occupies only one third of its original area. It now functions as a museum and memorial park.
    1810JPN-3291.jpg
  • Tamozawa Imperial Villa (Tamozawa Goyotei) blends traditional Edo and early modern Meiji Period architecture throughout its 106 rooms. The villa was erected in Nikko in 1899, using parts of a residence that originally stood in Tokyo, Japan. Before being moved to Nikko, the building served initially as the Tokyo residence of a branch of the Tokugawa family and was later temporarily used as the Imperial Palace. In Nikko, it was enlarged into a summer residence and retreat for the Imperial Family, but suffered neglect after World War II. In 2000, the villa was opened to the public after extensive renovation works. Tamozawa Imperial Villa is one of the largest remaining wooden buildings in Japan. The interior of the villa is a curious mix of Japanese and Western styles: many floors are carpeted and elaborate chandeliers hang from the ceilings, yet Japanese elements include sliding paper doors and tatami flooring. Although still impressive in size and grandeur, Tamozawa Imperial Villa currently occupies only one third of its original area. It now functions as a museum and memorial park.
    1810JPN-3316.jpg
  • Exterior. Tamozawa Imperial Villa (Tamozawa Goyotei) blends traditional Edo and early modern Meiji Period architecture throughout its 106 rooms. The villa was erected in Nikko in 1899, using parts of a residence that originally stood in Tokyo, Japan. Before being moved to Nikko, the building served initially as the Tokyo residence of a branch of the Tokugawa family and was later temporarily used as the Imperial Palace. In Nikko, it was enlarged into a summer residence and retreat for the Imperial Family, but suffered neglect after World War II. In 2000, the villa was opened to the public after extensive renovation works. Tamozawa Imperial Villa is one of the largest remaining wooden buildings in Japan. The interior of the villa is a curious mix of Japanese and Western styles: many floors are carpeted and elaborate chandeliers hang from the ceilings, yet Japanese elements include sliding paper doors and tatami flooring. Although still impressive in size and grandeur, Tamozawa Imperial Villa currently occupies only one third of its original area. It now functions as a museum and memorial park. This image was stitched from multiple overlapping photos.
    1810JPN-3348-p1-Pano.jpg
  • Art work on large sliding screens. Tamozawa Imperial Villa (Tamozawa Goyotei) blends traditional Edo and early modern Meiji Period architecture throughout its 106 rooms. The villa was erected in Nikko in 1899, using parts of a residence that originally stood in Tokyo, Japan. Before being moved to Nikko, the building served initially as the Tokyo residence of a branch of the Tokugawa family and was later temporarily used as the Imperial Palace. In Nikko, it was enlarged into a summer residence and retreat for the Imperial Family, but suffered neglect after World War II. In 2000, the villa was opened to the public after extensive renovation works. Tamozawa Imperial Villa is one of the largest remaining wooden buildings in Japan. The interior of the villa is a curious mix of Japanese and Western styles: many floors are carpeted and elaborate chandeliers hang from the ceilings, yet Japanese elements include sliding paper doors and tatami flooring. Although still impressive in size and grandeur, Tamozawa Imperial Villa currently occupies only one third of its original area. It now functions as a museum and memorial park.
    1810JPN-3355.jpg
  • Art work on large sliding screens. Tamozawa Imperial Villa (Tamozawa Goyotei) blends traditional Edo and early modern Meiji Period architecture throughout its 106 rooms. The villa was erected in Nikko in 1899, using parts of a residence that originally stood in Tokyo, Japan. Before being moved to Nikko, the building served initially as the Tokyo residence of a branch of the Tokugawa family and was later temporarily used as the Imperial Palace. In Nikko, it was enlarged into a summer residence and retreat for the Imperial Family, but suffered neglect after World War II. In 2000, the villa was opened to the public after extensive renovation works. Tamozawa Imperial Villa is one of the largest remaining wooden buildings in Japan. The interior of the villa is a curious mix of Japanese and Western styles: many floors are carpeted and elaborate chandeliers hang from the ceilings, yet Japanese elements include sliding paper doors and tatami flooring. Although still impressive in size and grandeur, Tamozawa Imperial Villa currently occupies only one third of its original area. It now functions as a museum and memorial park.
    1810JPN-3359.jpg
  • Tamozawa Imperial Villa (Tamozawa Goyotei) blends traditional Edo and early modern Meiji Period architecture throughout its 106 rooms. The villa was erected in Nikko in 1899, using parts of a residence that originally stood in Tokyo, Japan. Before being moved to Nikko, the building served initially as the Tokyo residence of a branch of the Tokugawa family and was later temporarily used as the Imperial Palace. In Nikko, it was enlarged into a summer residence and retreat for the Imperial Family, but suffered neglect after World War II. In 2000, the villa was opened to the public after extensive renovation works. Tamozawa Imperial Villa is one of the largest remaining wooden buildings in Japan. The interior of the villa is a curious mix of Japanese and Western styles: many floors are carpeted and elaborate chandeliers hang from the ceilings, yet Japanese elements include sliding paper doors and tatami flooring. Although still impressive in size and grandeur, Tamozawa Imperial Villa currently occupies only one third of its original area. It now functions as a museum and memorial park.
    1810JPN-3368.jpg
  • Tamozawa Imperial Villa (Tamozawa Goyotei) blends traditional Edo and early modern Meiji Period architecture throughout its 106 rooms. The villa was erected in Nikko in 1899, using parts of a residence that originally stood in Tokyo, Japan. Before being moved to Nikko, the building served initially as the Tokyo residence of a branch of the Tokugawa family and was later temporarily used as the Imperial Palace. In Nikko, it was enlarged into a summer residence and retreat for the Imperial Family, but suffered neglect after World War II. In 2000, the villa was opened to the public after extensive renovation works. Tamozawa Imperial Villa is one of the largest remaining wooden buildings in Japan. The interior of the villa is a curious mix of Japanese and Western styles: many floors are carpeted and elaborate chandeliers hang from the ceilings, yet Japanese elements include sliding paper doors and tatami flooring. Although still impressive in size and grandeur, Tamozawa Imperial Villa currently occupies only one third of its original area. It now functions as a museum and memorial park.
    1810JPN-3378.jpg
  • Courtyard panorama. Tamozawa Imperial Villa (Tamozawa Goyotei) blends traditional Edo and early modern Meiji Period architecture throughout its 106 rooms. The villa was erected in Nikko in 1899, using parts of a residence that originally stood in Tokyo, Japan. Before being moved to Nikko, the building served initially as the Tokyo residence of a branch of the Tokugawa family and was later temporarily used as the Imperial Palace. In Nikko, it was enlarged into a summer residence and retreat for the Imperial Family, but suffered neglect after World War II. In 2000, the villa was opened to the public after extensive renovation works. Tamozawa Imperial Villa is one of the largest remaining wooden buildings in Japan. The interior of the villa is a curious mix of Japanese and Western styles: many floors are carpeted and elaborate chandeliers hang from the ceilings, yet Japanese elements include sliding paper doors and tatami flooring. Although still impressive in size and grandeur, Tamozawa Imperial Villa currently occupies only one third of its original area. It now functions as a museum and memorial park. This image was stitched from multiple overlapping photos.
    1810JPN-3385-p1-Pano.jpg
  • 5 story pagoda. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Countless wood carvings and large amounts of gold leaf were used to decorate the buildings in a way not seen elsewhere in Japan. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3458.jpg
  • School kids group. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Countless wood carvings and large amounts of gold leaf were used to decorate the buildings in a way not seen elsewhere in Japan. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3464.jpg
  • "The mother looks to the future while the new child looks at her with trust." Hidari Jingoro may have carved these panels to incorporate Confucius's Code of Conduct, using the monkey as a way to depict man's life cycle. Art work on storehouse in Toshogu shrine in Nikko, Japan. The monkeys are Japanese macaques, a common species in Japan. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3467.jpg
  • The maxim "see no evil, hear no evil, speak no evil" was popularized from the 1600s carving of the proverbial three wise monkeys on a storehouse in Toshogu shrine in Nikko, Japan. One interpretation is to be of good mind, speech and action. But in the Western world, the phrase often refers to those who deal with impropriety by turning a blind eye. The monkeys are Japanese macaques, a common species in Japan. The three monkeys are Mizaru, covering his eyes, who sees no evil; Kikazaru, covering his ears, who hears no evil; and Iwazaru, covering his mouth, who speaks no evil. Outside of Japan, the last two of the monkeys' names have sometimes been corrupted, resulting in Mizaru, Mikazaru and Mazaru. Hidari Jingoro may have carved these panels to incorporate Confucius's Code of Conduct, using the monkey as a way to depict man's life cycle. Out of eight panels, the iconic three wise monkeys are panel 2. The philosophy likely originated with a Tendai-Buddhist legend, from China in the 700s (Nara Period). The figures may represent the three dogmas of the so-called middle school of the sect. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3468.jpg
  • "The young monkeys looking up to the blue clouds signifies their ambition." Hidari Jingoro may have carved these panels to incorporate Confucius's Code of Conduct, using the monkey as a way to depict man's life cycle. Art work on storehouse in Toshogu shrine in Nikko, Japan. The monkeys are Japanese macaques, a common species in Japan. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3470.jpg
  • "One monkey faces the world head on, while another, looking down with trepidation is encouraged by a friend." Hidari Jingoro may have carved these panels to incorporate Confucius's Code of Conduct, using the monkey as a way to depict man's life cycle. Art work on storehouse in Toshogu shrine in Nikko, Japan. The monkeys are Japanese macaques, a common species in Japan. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3471.jpg
  • The maxim "see no evil, hear no evil, speak no evil" was popularized from the 1600s carving of the proverbial three wise monkeys on a storehouse in Toshogu shrine in Nikko, Japan. One interpretation is to be of good mind, speech and action. But in the Western world, the phrase often refers to those who deal with impropriety by turning a blind eye. The monkeys are Japanese macaques, a common species in Japan. The three monkeys are Mizaru, covering his eyes, who sees no evil; Kikazaru, covering his ears, who hears no evil; and Iwazaru, covering his mouth, who speaks no evil. Outside of Japan, the last two of the monkeys' names have sometimes been corrupted, resulting in Mizaru, Mikazaru and Mazaru. Hidari Jingoro may have carved these panels to incorporate Confucius's Code of Conduct, using the monkey as a way to depict man's life cycle. Out of eight panels, the iconic three wise monkeys are panel 2. The philosophy likely originated with a Tendai-Buddhist legend, from China in the 700s (Nara Period). The figures may represent the three dogmas of the so-called middle school of the sect. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3473.jpg
  • An imagined elephant carving by an artist who had never seen one. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Countless wood carvings and large amounts of gold leaf were used to decorate the buildings in a way not seen elsewhere in Japan. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3476.jpg
  • "A new couple embarks on life together, facing a tidal wave of trials and tribulations," in one of 8 panels of art work on a storehouse in Toshogu shrine in Nikko, Japan. Hidari Jingoro may have carved these panels to incorporate Confucius's Code of Conduct, using the monkey as a way to depict man's life cycle. The monkeys are Japanese macaques, a common species in Japan. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3479.jpg
  • Ema ("picture-horse") are small wooden plaques, common to Japan, in which Shinto and Buddhist worshippers write prayers or wishes. The ema are left hanging up at the shrine, where the kami (spirits or gods) are believed to receive them. They often carry images or are shaped like animals, or symbols from the zodiac, Shinto, or the particular shrine or temple. In ancient times people would donate horses to the shrines for good favor; over time this was transferred to a wooden plaque with a picture of a horse. Once inscribed with a wish, Ema are hung at the shrine until they are ritually burned at special events, symbolic of the liberation of the wish from the writer. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3483.jpg
  • Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Countless wood carvings and large amounts of gold leaf were used to decorate the buildings in a way not seen elsewhere in Japan. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3486.jpg
  • Door pattern. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Countless wood carvings and large amounts of gold leaf were used to decorate the buildings in a way not seen elsewhere in Japan. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3489.jpg
  • Old Japanese lantern. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Countless wood carvings and large amounts of gold leaf were used to decorate the buildings in a way not seen elsewhere in Japan. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3508.jpg
  • Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Countless wood carvings and large amounts of gold leaf were used to decorate the buildings in a way not seen elsewhere in Japan. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3518.jpg
  • Ornate peacock carved in wood. Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Countless wood carvings and large amounts of gold leaf were used to decorate the buildings in a way not seen elsewhere in Japan. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3524.jpg
  • Toshogu Shrine is the final resting place of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate that ruled Japan for over 250 years until 1868. Ieyasu is enshrined at Toshogu as the deity Tosho Daigongen, "Great Deity of the East Shining Light". Initially a relatively simple mausoleum, Toshogu was enlarged into the spectacular complex seen today by Ieyasu's grandson Iemitsu during the first half of the 1600s. The lavishly decorated shrine complex consists of more than a dozen buildings set in a beautiful forest. Countless wood carvings and large amounts of gold leaf were used to decorate the buildings in a way not seen elsewhere in Japan. Toshogu contains both Shinto and Buddhist elements, as was common until the Meiji Period when Shinto was deliberately separated from Buddhism. Toshogu is part of Shrines and Temples of Nikko UNESCO World Heritage site.
    1810JPN-3536.jpg
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